I have no idea if Lin-Manuel Miranda has read Ta-Nehisi Coates’s Between the World and Me; nor am I aware if Coates has seen Miranda’s Hamilton on Broadway. But it would be fascinating to listen to the two of them discuss each other’s work and their views on what it means to be young, brown, and American today.
All of us who work in classrooms with children of color would be richer if we could eavesdrop on such an exchange.
The parallels are striking. Both are young men of color who have created two of the most praised and dissected cultural works of the moment. Both were recent and richly deserving Macarthur Foundation “Genius Grant” recipients. Each turns his creative lens on our nation. But their respective visions of America, signaled through their work, could scarcely be more different.
We can be a bit promiscuous in our use of the word “genius,” but if it applies to anyone, it’s Lin-Manuel Miranda. Anyone who can read, as he did, Ron Chernow’s seven-hundred-page doorstop biography of Alexander Hamilton and think “Hip hop musical!” has a mind like few others.
But where Miranda’s genius burns bright, Coates’s burns hot. He is, by a...