Today marks the first class in a yearlong seminar in civics and citizenship I teach at Democracy Prep Charter High School in Harlem. My goal is for students to see America as their own, a country worthy of their dreams and ambitions. I will assign readings and papers, lead discussions, and design tests. I should take them all to see Hamilton on Broadway as well.
More than just an inventive musical or a hip hop history lesson, Hamilton accomplishes in two and a half hours what I will spend a year attempting to do in class, and what K–12 education barely even bothers to attempt anymore: It transfers ownership of America’s ideals and ambitions from one generation to the next.
The show’s star and creator, Lin-Manuel Miranda, read the story of one of the nation’s most brilliant and volatile founders and saw echoes of Jay Z, Eminem, and Biggie Smalls. “I recognized the arc of a hip-hop narrative in Hamilton’s life,” he said in a recent interview. If the parallels are not obvious to you in the biography of the author of many Federalist Papers and America’s first treasury secretary—and they certainly weren’t to me—perhaps that’s the point.
“Lin is telling the story of...